Review: You’ll Miss Me When I’m Gone by Rachel Lynn Solomon

Publication date: January 2, 2018

Genre: YA contemporary

Publisher: Simon Pulse

Summary:

you'll miss me when I'm goneEighteen-year-old twins Adina and Tovah have little in common besides their ambitious nature. Viola prodigy Adina yearns to become a soloist—and to convince her music teacher he wants her the way she wants him. Overachiever Tovah awaits her acceptance to Johns Hopkins, the first step on her path toward med school and a career as a surgeon.

But one thing could wreck their carefully planned futures: a genetic test for Huntington’s, a rare degenerative disease that slowly steals control of the body and mind. It’s turned their Israeli mother into a near stranger and fractured the sisters’ own bond in ways they’ll never admit. While Tovah finds comfort in their Jewish religion, Adina rebels against its rules.

When the results come in, one twin tests negative for Huntington’s. The other tests positive.

These opposite outcomes push them farther apart as they wrestle with guilt, betrayal, and the unexpected thrill of first love. How can they repair their relationship, and is it even worth saving?

From debut author Rachel Lynn Solomon comes a luminous, heartbreaking tale of life, death, and the fragile bond between sisters.

Disclaimer: I received an eARC of this book from Netgalley in exchange for an honest review.

You’ll Miss Me When I’m Gone is a complex contemporary novel that’s gripping and very human. Told in dual perspective, Adina and Tovah both have distinct passions, voices, and characteristics, and you really get to know them and their family before the test results so you feel the impact of it. The alternating perspective really does allow for an understanding of the complex reasoning behind the decisions and emotions each twin has, as flawed as it might be, though often that’s because of information they aren’t privy to. But that wasn’t in a frustrating lack of communication way; it all made sense because of their characters and situations. This made it incredibly realistic, especially as it grappled with intense topics. (TW for self-harm and suicide ideation.) The thought-provoking topics of genetic testing, assisted suicide, religion, family, and relationships are handled very well and will make you think about where the story might go.

For a YA book, college admissions is a major focus, and frankly I very much needed this book when I was a senior. I don’t want to spoil too much, but I found that Tovah’s eventual peace at not having her life completely planned out as she had originally hoped–including with her relationship–was so important and something I REALLY needed at that time in my life. Meanwhile, it was refreshing to hear about a teen pursuing classical music, as you don’t see that too much in media (meanwhile, Tovah’s love for more modern music also adds to the music love which I appreciate). Each twin’s romantic relationship was also well-explored as they navigated the differences between lust and love from different perspectives. Toxic situations are called out, and there are many sex-positive discussions about relationships, desire, and contraceptives.

I also appreciated the many details of Judiasm in this book. Adina and Tovah’s mother is Israeli, and they speak Hebrew with her and to each other at times and are raised as Conservative Jewish. The distinction between this and other forms of Judiasm are explored, as is how American society tends to ignore it. Adina, Tovah, and their parents all have different relationships to their religion and culture, especially influenced by their mother’s declining health due to the genetic disease of Huntington’s. I learned a lot and found this complexity not just interesting, but realistic.

Ultimately, this was such a good read that was not afraid to push its characters to act logically and emotionally when confronting big topics, while still managing to wrangle the messiness into a satisfying ending.

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Review: 27 Hours by Tristina Wright

Genre: YA science fiction

Publisher: Entangled Teen

Publication Date: October 3, 2017

Summary:

27 Hours.jpgRumor Mora fears two things: hellhounds too strong for him to kill, and failure. Jude Welton has two dreams: for humans to stop killing monsters, and for his strange abilities to vanish.

But in no reality should a boy raised to love monsters fall for a boy raised to kill them.

Nyx Llorca keeps two secrets: the moon speaks to her, and she’s in love with Dahlia, her best friend. Braeden Tennant wants two things: to get out from his mother’s shadow, and to unlearn Epsilon’s darkest secret.

They’ll both have to commit treason to find the truth.

During one twenty-seven-hour night, if they can’t stop the war between the colonies and the monsters from becoming a war of extinction, the things they wish for will never come true, and the things they fear will be all that’s left.

27 Hours is a sweeping, thrilling story featuring a stellar cast of queer teenagers battling to save their homes and possibly every human on Sahara as the clock ticks down to zero.

**Disclaimer: I received a finished copy of 27 Hours in exchange for an honest review.**

First of all, I want to apologize a little. I took an unofficial hiatus because the latter half of my semester got busy and I needed to focus on finals and readings for class, and I fell behind on everything else. But now I’m done with the semester and ready to get back on track!

27 Hours was a book that I was pretty intrigued about before I was offered to review it. I admit I don’t read much sci-fi or fantasy anymore, mostly because of length and because I just can’t commit to series, but I do love the genres and tend to gravitate toward them in other media. 27 Hours seemed like a good place to jump back into the genre, especially as it centers a diverse group of queer characters. After all, one of my frustrations about YA SFF was the common inclusion of a heterosexual romance subplot that seemed to revolve around the same types of characters.

I enjoyed the action-fast first pages that threw you into the world with lush descriptions. While I personally like this writing style in this genre, I understand it isn’t for everyone. I’m definitely one to be more invested in character and setting than plot (unless it’s an intricate mystery-type book), so I enjoyed exploring the world and getting to know the characters. The romances were absolutely swoon-worthy and lovely. That said, I didn’t think Braeden’s asexuality was presented entirely accurately: it was constantly equated to not having sex, whereas it is only the absence of sexual attraction (some ace people are sex-repulsed, others aren’t, etc). I was also a little disappointed that it was always the men who were physically fighting.

I can’t really write this review without linking to this one, which explored the lack of true racial representation and how the main characters’ species and race affected the themes of colonialism. Wright certainly acknowledges the issue of colonialism, but in my experience reading it, I definitely saw the chimera as some sort of monstrous “Other” even though they turn out to be intelligent and communicable beings. It will be interesting to see how they’re involved in the rest of the series.

I do think Wright tries to explain the lack of connection (most of) the teens have with the ancestry with mention of a generation ship thing, but a “universal” language emerging 150-200 years in the future does leave many questions. There’s a lot of cultural erasing going on when you have to delete languages (and indeed the society portrayed is rather Western), all universal language attempts thus far have really failed to make a difference, and some things just don’t plain translate, making the whole process difficult and leaving a lot of sacrifices behind. Furthermore, Nyx is Deaf and she and other characters communicate in sign language, which itself would not only prove an exception to the “universal language” thing (sign language has its own grammar and syntax!), but also…which sign language survived? There are several versions.

Overall, I enjoyed 27 Hours if I don’t poke too many holes in it. My record at actually reading sequels is pretty miserable, but I am curious to how this might continue.

Review: Echo After Echo by Amy Rose Capetta

Echo After Echo by Amy Rose Capetta

Genre: YA contemporary/mystery

Publisher: Candlewick Press

Publication date: October 10, 2017

Synopsis:

echo after echoDebuting on the New York stage, Zara is unprepared—for Eli, the girl who makes the world glow; for Leopold, the director who wants perfection; and for death in the theater.

Zara Evans has come to the Aurelia Theater, home to the visionary director Leopold Henneman, to play her dream role in Echo and Ariston, the Greek tragedy that taught her everything she knows about love. When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

**I received an eARC copy of this from Negalley in exchange for an honest review.**

I excitedly requested Echo After Echo because I’d been looking forward to it; I’ve gotten into theater a lot lately (though not quite in an actor way) and haven’t seen many fictional books about drama kids, which hasn’t been helpful since I’m currently trying to capture some of that community in my own writing. Furthermore, a female/female love story featuring a bi girl always perks my interest.

So, I had the contemporary mindset going in, the genre I read mostly. But oh man, is this a mystery story, and a good one. The atmosphere is creepy from the beginning–I mean, Zara finds a dead body when she first arrives at the theater! And almost everyone in the theater is weird and mysterious–or, at least, not very friendly at first, including the creepy famous director, Leopold, who can get away with way too much power abuse because he’s “brilliant.” He also has visions, and coupled with the theater’s curse, I wondered if there was something supernatural going on. But because of Zara and Eli’s budding relationship, the mystery doesn’t take the forefront in the middle, so it doesn’t drag or rely solely on its (well-constructed) plot, constantly asking you to question it. And then they seem to figure it out, but…it isn’t what it seems. Which was AMAZING because I did not expect the level of complexity to the mystery in a book I regarded as a contemporary–and that more or less tricks you into believing you’re reading one in the middle.

But aside from the mystery, Zara/Eli is written with great amounts of suspense and swoon, keeping them apart for just the right time to keep the page turning without growing exhausting. It’s established early on that Zara and Eli like girls (though Eli doesn’t know Eli does for a while), and that Zara’s dated and kissed boys, too. So this wasn’t a discovery story in that respect, which tend to dominate LGBTQ stories (albeit for a reason–but it’s not the be-all-end-all). Yet, Zara isn’t completely figured out yet; she tries to come out to her family and also says “I’m bisexual” when she’s absolutely sure. THE WORD! It used the word, even when it was easy to infer! (Bi people always have to come out over and over again, or else they’re assumed to be either gay or straight.) Also, isn’t it great there’s queer representation in different genres (mystery in this case) from the usual contemporaries?

Echo After Echo is written in third person omniscient, with different chapters centering on different characters, although certainly Zara is focused on the most. This allowed for plenty of insight into the other characters’ psyches, preventing them from being weird types. Additionally, I just really liked the writing–there were quite a few turns of phrases I highlighted. (I would give examples, but ARCs are not final so we can’t quote from them!)

The theater was a refreshing (albeit dark and mysterious setting); it was nice seeing a YA book where the teenage characters are not in high school. Zara did apply to colleges to attend after she finishes her run in the play, and certainly not everyone can be a working artist at the age, but it was a great glimpse into that life.

I honestly have few negative things to say. I began to wish Adrien had more depth than the shallowness and awareness of fan-pleasing you’d expect from a young, hot male movie star, but then I was pleasantly surprised with more backstory and comments on how he stumbled into the business and how fame affected his life and relationships.

Now I need to get a finished, physical copy for my future classroom…

Review: Kid Authors: True Tales of Childhood from Great Writers

Author: David Stabler

Illustrator: Doogie Horner

Genre: nonfiction

Publisher: Quirk Books

Publication Date: October 10, 2017

Synopsis:

kid authorsThe series that includes Kid Presidents, Kid Artists, and Kid Athletes now chronicles the lives of Kid Authors! Here are true tales of famous writers, from long before they were famous–or even old enough to drive. Did you know:
– Sam Clemens (aka Mark Twain) loved to skip school and make mischief, with his best friend Tom, of course!
– A young J. R. R. Tolkien was bitten by a huge tarantula–or as he called it, -a spider as big as a dragon.-
– Toddler Zora Neale Hurston took her first steps when a wild hog entered her house and started chasing her!
The diverse and inclusive cast includes Roald Dahl, Beverly Cleary, J. K. Rowling, Langston Hughes, Jules Verne, Lewis Carroll, Stan Lee, and many more.

**I received an eARC of this book from Netgalley in exchange for an honest review.**

Kid Authors is a new middle grade (on the lower end of that spectrum, I would say) nonfiction book from Quirk Books in their series of fun stories about famous people when they were younger. Written by David Stabler, the book has many delightful color illustrations by Doogie Horner.

The book covers a diverse selection of authors, although most of them would be familiar to children, and they are mostly American. Some of the stories were more focused on specific events than others, which made them stronger in my opinion, and almost all related back to how they became authors. I found Sherman Alexie’s really interesting, and I didn’t know that Edgar Allen Poe was a foster child! Unfortunately, Laura Ingalls Wilder’s was not much new if you’re familiar with the Little House series.

A paragraph in Langston Hughes’s chapter really stood out to me: he was voted class poet in eighth grade unanimously, but he had not written a poem yet, at least outside of his mind. So he went and started writing to prove himself. That’s like some predestination craziness.

One thing I was a little surprised with was the use of “Indians” to refer to Native Americans all the time. It made sense in the Laura Ingalls Wilder story because of the time period, and there’s a great illustration of an exasperated Native American frustrated about how they’d left for a little and suddenly some settlers moved in. But otherwise, I was surprised they didn’t use Native Americans as well, as it is so much more accurate and I think that’s important in a children’s book.

There are also little facts about other authors’ childhoods in the back, which were pretty fun. The best one was absolutely Earnest Hemingway, that All-American Man, who was dressed in his older sister’s clothes until he was 5 and his mother said he was her daughter “Ernestine”!!!

This is definitely something great to have in the classroom!

Review: They Both Die at the End by Adam Silvera

Genre: YA speculative fiction/contemporary (feels more like the latter than a SFF story)

Publisher: Harper Teen

Release Date: September 5, 2017 (see what they did there??)

Synopsis:

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure and to live a lifetime in a single day.

they both die at the end

So this book snuck up on me a little. I’d loved Adam Silvera’s previous two books, but while More Happy Than Not floored me with its plot twists and construction and History is All You Left Me grabbed my interest with its topics on breakups and OCD, I wasn’t as interested in the concept of They Both Die at the End, so I was a little nervous. I’d seen a couple of great reviews and a couple of mixed ones. But then I got to the end, and I’m having troubling coming up with much negative to say about it.

While They Both Die at the End clearly has some sci-fi elements, it reads more like a contemporary, interesting in exploring the “what-if” situation with a realistic story. And yet, the impact Death-Cast has had on the world isn’t ignored–there’s a whole industry out there trying to make money by making the lives of the soon-to-die (called “Deckers”) better, and books, TV, and other stories now have Death-Cast as a plot point. A lot of it serves as commentary for how death is handled on social media, which is something I’ve had to think about recently. Most chapters are told from either Rufus’s or Mateo’s POVs (which are very distinctive), but there are glimpses of other people affected, most of which cross paths somewhere with Rufus and Mateo. Even though it all takes place in a day, there’s so much ground covered that it doesn’t feel rushed or stretched.

We all like to proclaim how emotional Adam Silvera’s books make us, but I’m not sure we give him enough credit for his plotting. More Happy Than Not has a plot twist that reveals so many little details planted beforehand, and They Both Die at the End reminded me of that careful structure. There are a lot of details–especially from the other POV chapters as I mentioned earlier–that fit together like pieces of a puzzle. And how they actually die isn’t quite what you expect.

Even though, yes, they both die at the end, the knowledge of the fact and how it is handled prevents this from being a “bury your gays” scenario. Like History is All You Left Me is about break-ups and grief with a m/m couple, this is a high-concept story about family and friendship and love that also happens to feature two boys. It’s not a “what is it like to be a guy or bi guy?” story. So, as I’m sure you’ve expected, there is a bit of a romance–but it’s a slow-burn, and even though this takes place over just one day, there’s friendship first. Lots of talking about deep, philosophical issues (I mean, what else would you do when your impending death is certain and foretold?) and their lives. Mateo and Rufus are very different characters, but they have plenty of heart and love for their family and friends. It’s cute and tender and pure.

Another thing I appreciated: Mateo likes music and has several songs that he has attachments to, and most of them were the kind of music I listen to, as well, so I had a deeper understanding of their relevancy, even though important lyrics are included. In particular: “One Song Glory” from Rent (regret and last wishes when death is close), “American Pie” (eight-minute epic about an untimely death, anti-60s sentiment aside), and “You’re Song” by Elton John (such a unique choice for a contemporary for its love and friendship song). I was geeking out a bit, I admit.

Review: Kaleidoscope Song by Fox Benwell

Kaleidoscope Song

Genre: YA contemporary

Publisher: Simon & Schuster

Publication date: September 19, 2017

kaleidoscope songSouth Africa is loud. Listen. Do you hear the song and dance of it? The chorus of Khayelitsha life? Every voice is different, its pitch and tone and intonation as distinct as the words we choose and how we wrap our mouths around them. But everybody has a voice, and everybody sings…

Fifteen year old Neo loves music, it punctuates her life and shapes the way she views the world. A life in radio is all she’s ever wanted.
When Umzi Radio broadcasts live in a nearby bar Neo can’t resist. She sneaks out to see them, and she falls in love, with music, and the night, but also with a girl: Tale has a voice like coffee poured into a bright steel mug, and she commands the stage.

It isn’t normal. Isn’t right. Neo knows that she’s supposed to go to school and get a real job and find a nice young boy to settle down with. It’s written everywhere – in childhood games, and playground questions, in the textbooks, in her parents’ faces. But Tale and music are underneath her skin, and try as she might, she can’t stop thinking about them.

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Brown Girl Dreaming by Jacqueline Woodson

Synopsis:

brown girl dreaming.jpgJacqueline Woodson, one of today’s finest writers, tells the moving story of her childhood in mesmerizing verse.

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.

Brown Girl Dreaming, a memoir-in-verse by Jacqueline Woodson, was released in 2014 and showered with awards including a Newbery Honor and National Book Award. So naturally, I wanted to read this as a part of exploring middle grade and for reading more books by and about African-Americans this year.

Woodson covers her early childhood and adolescence in the book, and in that short span of time she has plenty of history and perspective to cover. She’s a black girl born during the Civil Rights movement to a Southern mother but a proud Northern father who divorce when she is a baby. She’s raised in the South with her grandparents, but then her mother leaves for New York, and she and her brother and sister are raised as Jehovah’s Witnesses by their grandmother. When her mother comes back to take them to move to New York (Brooklyn), they continue the practice, and they experience the contrasts between the North and the South through constant visits. Later, she becomes very aware of the 1970s movements that surround her, particularly feminism. Plus, there are quite a few references to the music of the times, which I enjoyed.

As much of the book covers a time when Woodson was quite young and naturally doesn’t remember everything, the verse form allows her to imagine her family at moments she would not be able to see or remember. It’s a creative blend of memoir, hope, and commentary. I also loved to see Jacqueline’s growing love for writing and poetry. Her older sister was the quick-learning, book-smart one, so she felt like she disappointed teachers, but she begins to find her own voice and it’s lovely.

I sometimes struggle with free-verse book form–I think I like single poems more, and particularly poetry that experiments with form, sound, rhythm, rhyme. I like longer “single” poems, and in a lot of popular collections they are quite short and structurally simple. (And just to clarify, I’m not saying those collections aren’t poetry. I just don’t enjoy them or get as much out of them.) But Woodson here has some longer lines and variations in her poems, and the style works very well for that blend of what she remembers and what she imagines.

Brown Girl Dreaming is a great book for the upper elementary and above, especially if you’re interested in writing, poetry, African-American history and perspectives, Jehovah’s Witnesses experiences, or are just a fan of Jacqueline Woodson in general. I’m interested in reading her latest, Another Brooklyn, although that one is a fictional novel for adults. As some of her life in Brooklyn in the ’70s is chronicled in Brown Girl Dreaming, it will be interesting to see how her life influenced that story.

Me and Marvin Gardens by Amy Sarig King

Me and Marvin Gardens by Amy Sarig King

Genre: middle grade, surrealism/absurdism(?)

Release Date: January 31, 2017

Publisher: Arthur A. Levine/Scholastic

marvin gardens.jpgObe Devlin has problems. His family’s farmland has been taken over by developers. His best friend Tommy abandoned him for the development kids. And he keeps getting nosebleeds, because of that thing he doesn’t like to talk about. So Obe hangs out at the creek by his house, in the last wild patch left, picking up litter and looking for animal tracks.

One day, he sees a creature that looks kind of like a large dog, or maybe a small boar. And as he watches it, he realizes it eats plastic. Only plastic. Water bottles, shopping bags… No one has ever seen a creature like this before, because there’s never been a creature like this before. The animal–Marvin Gardens–soon becomes Obe’s best friend and biggest secret. But to keep him safe from the developers and Tommy and his friends, Obe must make a decision that might change everything.

In her most personal novel yet, Printz Honor Award winner Amy Sarig King tells the story of a friendship that could actually save the world.

Amy Sarig King is better known as A.S. King, one of my favorite YA authors. This is her middle grade debut, so naturally I was doubly intrigued to not only read it but to see how she would write for a different audience. I admit it took me a bit to get into, and like all her books it’s not going to appeal to the mainstream, but it definitely won me over by the end.

Me and Marvin Gardens is your boy-and-a-dog story except the “dog” in question is a completely unknown and strange but friendly creature who eats plastic and poops brightly-colored toxic waste. Yes, you read that right. This is a book about environmentalism, as Obe picks trash out of the creek, ponders pollution facts his cool science teacher writes on the board every day, and has watched his family’s land be turned into a housing development. The changing of the Earth with time was distilled to a microcosm perfectly in this setting. It also has a lot to explore about toxic masculinity, as Obe’s father reminds him frequently that boys don’t cry, and Obe’s former friend has turned against him to fit into the meaner crowd of boys who make a list of girls to kiss without their consent (and the book has a GREAT discussion on this with Obe, his sister, and their parents).

So, yes, this doesn’t have the pacing of your usual middle grade. Obe’s a very internal character and the conflict with Marvin Gardens (the nickname for the creature) and the neighborhood builds slowly. And yet, King has unquestionably tailored her style to suit middle grade. There’s still the surrealism/abusrdism (I don’t know what to call it because unlike some of her others this isn’t magical realism, as Marvin is definitely not treated as a normal thing in the world), but it’s much more linear than her other narratives. Obe occasionally reflects on what it was like 100 years ago when his family began to lose the land, preserving King’s narrative style of having excerpts in different styles from the main narrative–but again, it’s more approachable.

Another delightful aspect of Me and Marvin Gardens is the friendship. Obe grows closer with his friend and bus seat-mate, Annie, as she lets him in one what’s been going on, defends her against his ex-friend’s nonconsensual kiss, and brings her to his creek for her to collect rocks (she wants to be a geologist) and, eventually, to meet Marvin. They get teased a little bit, but their bond remains platonic, which is refreshing. (YA does tend to pair characters more than middle grade, but often MG will feature budding relationships.)

I also really loved the ending, which isn’t a surprise if you know me. I don’t want to spoil it, but it does involve a positive view of teaching as a profession!

As always, I’m looking forward to what A.S. King comes up with next.

Review: Sticks & Stones by Abby Cooper

Middle Grade Reads

Sticks & Stones by Abby Cooper

Publisher: Farrar, Straus, and Giroux

Publication date: July 12, 2016

Genres/topics: Middle grade contemporary (magical realism?)

Print
This image does not capture how bright and spunky the cover is.

A feel-good middle grade debut with just a hint of magic about a girl who has a rare disorder that makes the words other people say about her appear on her body.

Ever since she was a baby, the words people use to describe Elyse have instantly appeared on her arms and legs. At first it was just “cute” and “adorable,” but as she’s gotten older and kids have gotten meaner, words like “loser” and “pathetic” appear, and those words bubble up and itch. And then there are words like “interesting,” which she’s not really sure how to feel about. Now, at age twelve, she’s starting middle school, and just when her friends who used to accept and protect her are drifting away, she receives an anonymous note saying “I know who you are, and I know what you’re dealing with. I want to help.” As Elyse works to solve the mystery of who is sending her these notes, she also finds new ways to accept who she is and to become her best self.

Sticks & Stones was one of my most anticipated books of the year, as I had discovered it when looking for new middle grade releases that interested me so I could continue exploring the market that I’m planning on writing in. And that plot summary won me over. Sixth grade and self-esteem? Deal me in.

The novel is more of a contemporary than anything else, but part of me wants to also call it magical realism. CAV, the disease Elyse has that causes words to appear on her arms and legs if someone calls her them–or, as she discovers, if she calls herself them–is, of course, fictional. But it’s so intrinsic to the message and characterization of the story that it feels almost like an extended, magical metaphor. The good words soothe, the bad words itch. Additionally, there is a mystery aspect that drives the story forward, which is bound to keep young readers flipping the pages.

Something that stands out about Sticks & Stones is Elyse’s first-person narrative voice. I admit that I have a complicated relationship to a voice that’s trying to be “current,” because it can be engaging, but often I worry if it can become easily dated, alienate some readers, or hinder the clarity of some descriptions. However, I’m no longer the targeted age group, nor do I work with them, so I don’t think I can really make a judgement here, and I can say that the story was still affecting. I also liked how Cooper doesn’t shy away from the realities of kids these age: they do “go out,” they do kiss, they do have Internet profiles, etc. And friendships do change.

One part of the plot I did figure out early on when the clue was dropped, but the way Elyse interpreted the clue was also understandable due to her own biases and views, and I did not see and was rather pleased by the big reveal. Also because of Elyse’s perspective, I felt that the characters lacked some depth. However, by the end, Elyse is able to see the different dimensions of these peoples and part of the conclusion is that she learns to see these complexities, which I do appreciate. There’s also a feminist message attached to the end as Elyse learns she doesn’t need a guy to make her feel good about herself and she can do that on her own, which is important considering how the media is over-saturated “happily ever after” love stories.

Overall, Sticks & Stones is certainly an engaging read with important messages for girls (especially) in middle school or heading to middle school soon.

Rewiew: Bone Gap by Laura Ruby

Bone Gap by Laura Ruby

Publisher: Balzer + Bray

Publication Date: March 3, 2015

Genre: Young adult, contemporary + magical realism

Winner of the 2016 Printz Award for Young Adult Literature

bone gap.jpgEveryone knows Bone Gap is full of gaps—gaps to trip you up, gaps to slide through so you can disappear forever. So when young, beautiful Roza went missing, the people of Bone Gap weren’t surprised. After all, it wasn’t the first time that someone had slipped away and left Finn and Sean O’Sullivan on their own. Just a few years before, their mother had high-tailed it to Oregon for a brand new guy, a brand new life. That’s just how things go, the people said. Who are you going to blame?

Finn knows that’s not what happened with Roza. He knows she was kidnapped, ripped from the cornfields by a dangerous man whose face he cannot remember. But the searches turned up nothing, and no one believes him anymore. Not even Sean, who has more reason to find Roza than anyone, and every reason to blame Finn for letting her go.

As we follow the stories of Finn, Roza, and the people of Bone Gap—their melancholy pasts, their terrifying presents, their uncertain futures—acclaimed author Laura Ruby weaves a heartbreaking tale of love and loss, magic and mystery, regret and forgiveness—a story about how the face the world sees is never the sum of who we are.

Bone Gap is a bit of a difficult book to review, and I don’t feel like a pro/con review does it much justice. It’s something very different, quite literary, and its own little experience. I liked it, but I’d much prefer to discuss it in broadstrokes than a standard review.

Bone Gap is a small town (and a real one) and home to a mystery: the disappearence of Polish immigrant Roza, who we later learn out has come to reside with teenager Finn and his older brother Sean from seemingly fleeing an unsafe situation. The three have quite complicated feelings toward each other. Despite the missing persons case, however, I’m not sure I would really call Bone Gap a mystery. The third-person perspective shifts around from Finn to Roza to even some of the secondary characters, filling in their backstories. As such, the story is much more about who these characters and how they relate to each other.

What it’s really about? The narratives/expectations that surround people (which all small towns and/or other communities are bound to come up with) and horrible consequences of mysogyny, basically. Roza has dealt with many men taking advantage of her because they think they’re entitled to it, leading to some dangerous situations. Meanwhile, Petey (who Finn begins to date in the book) has her share, too, albeit of a different kind because unlike Roza, she isn’t conventionally pretty. There was also a scene where Finn focuses on Petey’s pleasure, containing an act that I haven’t seen depicted in YA (or most of the media) at all. Not that I’m an expert, but it was refreshing to see that.

I’ve seen “magical realism” used the most when describing Bone Gap, and it does play a subtle role. The characters struggle with real issues, but their world is lightly laced with magic. Whispering corn fields, a horse, which is female and likes to be ridden at night, so it’s a “Night Mare,” and more. It gets weird, but it’s rather beautiful, adding a hopefulness to the story. (And I love weird.)

Bone Gap is marketed as YA, and it won a major YA literary award, but I feel that it’s more of a crossover. Finn and Petey’s story deals with teenage feelings and themes, yes, but Roza and Sean are adults and a large part of the story is about them (especially Roza). I really enjoyed the multiple perspectives, especially when publishing seems to want to fit everything int categories (now we just need more push for books about kids aged 12-14, right??).

I highly recommend Bone Gap if you’re interested in magical realism, feminism, and literary fiction.