My Heart and Other Black Holes by Jasmine Warga

Note: This is a bit different from my usual posts because it is part of a class assignment!

my heart and otherMy Heart and Other Black Holes is Jasmine Warga’s 2015 debut novel about two teenagers who make a suicide pact on a website for just that, choosing each other because of they live in neighboring towns. Aysel, the narrator, wants to die because she has depression and feels distant from her family, alienated by her community because they fear she’ll be like her father, who killed the town’s pride Olympic-bound teenage track star. Her partner is Roman, who wants to die because he feels responsible for his younger sister’s death and does not deserve to live.

This novel definitely comes with a plethora of trigger warnings in regard to suicidal thoughts. Aysel’s narration has the dark, snarky humor that’s often found with depressed teens (though it did feel familiar to me from reading various YA novels), but that means that dying is tossed around so lightly it’s a very heavy read. (Though I was disappointed she resorted to a negative throwaway line about cheerleaders, and OCD was used as an adjective to describe orderly behavior. Pet peeves of mine.)

The setting of small Kentucky towns was well-realized and specific. I enjoyed how Aysel saw the world through her interest in physics, as well as her reference to the “black slug” in her gut that represented depression. It also did a good job of portraying depression and addressing the potential permanent, genetic aspect of it. However, this book’s premise does walk a very fine and dangerous line that I’m not sure ever resolved (some spoilers ahead). As the synopsis and tagline of the book indicates, Aysel and Roman develop feelings to each other that make Aysel begin to question their pact to see what might happen with them. This is definitely the spark that turns the tables for her, and it’s a dangerous premise because you should never base your reason for living on one person and love–you can’t rely on that. But the book redeemed itself a bit by having her talk to her mother and want to pursue other interests in her life outside of Roman, so she had more to live for. Still, it’s impossible to divorce Aysel’s change in perception from her feelings from Roman, and that’s evident in the packaging of the book.

Links Aysel might visit (not including anything suicidal, for safety reasons):

depression

Video: Book Trailer

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March by John Lewis, Andrew Aydin, and Nate Powell

Note: This is a bit different from my usual post because it is part of a class assignment!

march book 1March is a three-part graphic novel memoir from John Lewis, current House of Representatives member and civil rights icon. The first book covers Lewis’s childhood and college involvement with the Student Nonviolent Coordinating Committee orchestrating sit-ins, the second volume covers voting rights and freedom rides, and the third covers the March on Washington. Andrew Aydin helped Lewis write the story, and Nate Powell drew the illustrations.

In Book One, John Lewis is getting ready in 2009 to attend the inauguration of Barack Obama, the first African-American president. A mother and her children visit his office for the sake of history, and since he is there, he begins to tell them about his life. He grew up in rural Alabama, witnessing segregation and taking an interest in preaching. Lewis greatly admires the nonviolence Martin Luther King, Jr. preaches, interested in how he links religion to social justice. Unfortunately, he cannot attend a local law school because it is segregated, and his family does not agree to take the risk and sue.  Lewis attends nonviolent activist workshops and joins the Student Nonviolent Coordinating Committee (SNCC). With them, he organizes and participates in sit-ins, refusing to move from the counter at an illegally segregated “whites only” restaurant while enduring abuse–and eventually integrating some restaurants in Nashville.

Racism is depicted in a brutally, realistic way, including language, but Lewis and his company stress taking the moral ground. While I do wish the text would have been bigger because it would have been more comfortable to read, the illustrations do a great job of enhancing and capturing the feeling of the text. For instance, the text of songs wind through the page, growing in strength with the crowd, and powerful moments are captured with blackout pages with a central image and little text. This should be a great read for graphic novel fans, those new to the medium, and those interested in history, social justice, and African-American literature.

Links John Lewis would enjoy:

john lewis.png
John Lewis during the March on Washington

Video: John Lewis’s March on Washington Speech

 

Freakboy by Kristin Elizabeth Clark

Note: This is different from my usual posts because it’s part of a class project!

freakboy

Freakboy is a 2013 novel-in-verse by Kristin Elizabeth Clark.

(That means it is written

in poetry like

this,

representing the characters’

thoughts, with some

structural changes

l i k e  t h i s.)

There are 3 points of view portrayed: Brendan, a high schooler questioning his gender identity; Vanessa, Brendan’s girlfriend; and Angel, a Latina trans woman working at a LGBTQ youth center who eventually intersects with Brendan. [Note: I use he/him pronouns to describe Brendan because none other are used in the text.] Because this is told in such a stream-of-conciousness manner, there are a lot of dark and uncomfortable thoughts that can be despairing and difficult to read, so definite trigger warnings for homophobia, transphobia, depression, and suicidal ideation. Because the book submerges you in this headspace, it would not be the first book I recommend to a student who might be questioning their gender identity and already going through these thoughts daily.

The story primarily follows Brendan questioning his gender and how that affects his relationship with his girlfriend. Angel’s sections are mostly about her life story, and it takes a while for her to intersect with Brendan. The plot is rather thin as a result. Unfortunately, details of the setting and other characters are also sparse. We get to know Brendan’s family situation, especially his little sister, but not much else. The setting is supposed to be contemporary California (so 2013), and Brendan and Vanessa attend a prep school, but literally everyone encountered in the school–including outside the toxic masculinity of the wrestling team–is homophobic, and brutally so. I find that a bit difficult to believe for the setting and, once again, not my first choice for teens confronting this issue because reading it honestly made me feel sick.

I am glad this book does address non-binary (neither strictly male or female) gender identities, but I think it missed many crucial educational opportunities because Angel enters Brendan’s story in a way relevant to her job so late. Gendered pronouns (he, she, they, etc), which are extremely important for trans people and something many cis people do not understand, are never discussed. Vanessa’s parts were a little unnecessary because we knew more than she did about why Brendan was acting distant, and when she did contemplate her own sexual orientation, it was quickly dismissed (referring to a “phase” from her past, which is highly biphobic language), and never allowed for a nuanced consideration of the complexities of gender and sexuality. The ending isn’t the bleakest it could have been, but I found it frustrating, and I suffered a lot to get there.

Websites Brendan may have visited when figuring out his identity in the book:

trans flag
Trans pride flag

Video: Interview with the Author

 

Review: Echo After Echo by Amy Rose Capetta

Echo After Echo by Amy Rose Capetta

Genre: YA contemporary/mystery

Publisher: Candlewick Press

Publication date: October 10, 2017

Synopsis:

echo after echoDebuting on the New York stage, Zara is unprepared—for Eli, the girl who makes the world glow; for Leopold, the director who wants perfection; and for death in the theater.

Zara Evans has come to the Aurelia Theater, home to the visionary director Leopold Henneman, to play her dream role in Echo and Ariston, the Greek tragedy that taught her everything she knows about love. When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

**I received an eARC copy of this from Negalley in exchange for an honest review.**

I excitedly requested Echo After Echo because I’d been looking forward to it; I’ve gotten into theater a lot lately (though not quite in an actor way) and haven’t seen many fictional books about drama kids, which hasn’t been helpful since I’m currently trying to capture some of that community in my own writing. Furthermore, a female/female love story featuring a bi girl always perks my interest.

So, I had the contemporary mindset going in, the genre I read mostly. But oh man, is this a mystery story, and a good one. The atmosphere is creepy from the beginning–I mean, Zara finds a dead body when she first arrives at the theater! And almost everyone in the theater is weird and mysterious–or, at least, not very friendly at first, including the creepy famous director, Leopold, who can get away with way too much power abuse because he’s “brilliant.” He also has visions, and coupled with the theater’s curse, I wondered if there was something supernatural going on. But because of Zara and Eli’s budding relationship, the mystery doesn’t take the forefront in the middle, so it doesn’t drag or rely solely on its (well-constructed) plot, constantly asking you to question it. And then they seem to figure it out, but…it isn’t what it seems. Which was AMAZING because I did not expect the level of complexity to the mystery in a book I regarded as a contemporary–and that more or less tricks you into believing you’re reading one in the middle.

But aside from the mystery, Zara/Eli is written with great amounts of suspense and swoon, keeping them apart for just the right time to keep the page turning without growing exhausting. It’s established early on that Zara and Eli like girls (though Eli doesn’t know Eli does for a while), and that Zara’s dated and kissed boys, too. So this wasn’t a discovery story in that respect, which tend to dominate LGBTQ stories (albeit for a reason–but it’s not the be-all-end-all). Yet, Zara isn’t completely figured out yet; she tries to come out to her family and also says “I’m bisexual” when she’s absolutely sure. THE WORD! It used the word, even when it was easy to infer! (Bi people always have to come out over and over again, or else they’re assumed to be either gay or straight.) Also, isn’t it great there’s queer representation in different genres (mystery in this case) from the usual contemporaries?

Echo After Echo is written in third person omniscient, with different chapters centering on different characters, although certainly Zara is focused on the most. This allowed for plenty of insight into the other characters’ psyches, preventing them from being weird types. Additionally, I just really liked the writing–there were quite a few turns of phrases I highlighted. (I would give examples, but ARCs are not final so we can’t quote from them!)

The theater was a refreshing (albeit dark and mysterious setting); it was nice seeing a YA book where the teenage characters are not in high school. Zara did apply to colleges to attend after she finishes her run in the play, and certainly not everyone can be a working artist at the age, but it was a great glimpse into that life.

I honestly have few negative things to say. I began to wish Adrien had more depth than the shallowness and awareness of fan-pleasing you’d expect from a young, hot male movie star, but then I was pleasantly surprised with more backstory and comments on how he stumbled into the business and how fame affected his life and relationships.

Now I need to get a finished, physical copy for my future classroom…

Review: They Both Die at the End by Adam Silvera

Genre: YA speculative fiction/contemporary (feels more like the latter than a SFF story)

Publisher: Harper Teen

Release Date: September 5, 2017 (see what they did there??)

Synopsis:

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure and to live a lifetime in a single day.

they both die at the end

So this book snuck up on me a little. I’d loved Adam Silvera’s previous two books, but while More Happy Than Not floored me with its plot twists and construction and History is All You Left Me grabbed my interest with its topics on breakups and OCD, I wasn’t as interested in the concept of They Both Die at the End, so I was a little nervous. I’d seen a couple of great reviews and a couple of mixed ones. But then I got to the end, and I’m having troubling coming up with much negative to say about it.

While They Both Die at the End clearly has some sci-fi elements, it reads more like a contemporary, interesting in exploring the “what-if” situation with a realistic story. And yet, the impact Death-Cast has had on the world isn’t ignored–there’s a whole industry out there trying to make money by making the lives of the soon-to-die (called “Deckers”) better, and books, TV, and other stories now have Death-Cast as a plot point. A lot of it serves as commentary for how death is handled on social media, which is something I’ve had to think about recently. Most chapters are told from either Rufus’s or Mateo’s POVs (which are very distinctive), but there are glimpses of other people affected, most of which cross paths somewhere with Rufus and Mateo. Even though it all takes place in a day, there’s so much ground covered that it doesn’t feel rushed or stretched.

We all like to proclaim how emotional Adam Silvera’s books make us, but I’m not sure we give him enough credit for his plotting. More Happy Than Not has a plot twist that reveals so many little details planted beforehand, and They Both Die at the End reminded me of that careful structure. There are a lot of details–especially from the other POV chapters as I mentioned earlier–that fit together like pieces of a puzzle. And how they actually die isn’t quite what you expect.

Even though, yes, they both die at the end, the knowledge of the fact and how it is handled prevents this from being a “bury your gays” scenario. Like History is All You Left Me is about break-ups and grief with a m/m couple, this is a high-concept story about family and friendship and love that also happens to feature two boys. It’s not a “what is it like to be a guy or bi guy?” story. So, as I’m sure you’ve expected, there is a bit of a romance–but it’s a slow-burn, and even though this takes place over just one day, there’s friendship first. Lots of talking about deep, philosophical issues (I mean, what else would you do when your impending death is certain and foretold?) and their lives. Mateo and Rufus are very different characters, but they have plenty of heart and love for their family and friends. It’s cute and tender and pure.

Another thing I appreciated: Mateo likes music and has several songs that he has attachments to, and most of them were the kind of music I listen to, as well, so I had a deeper understanding of their relevancy, even though important lyrics are included. In particular: “One Song Glory” from Rent (regret and last wishes when death is close), “American Pie” (eight-minute epic about an untimely death, anti-60s sentiment aside), and “You’re Song” by Elton John (such a unique choice for a contemporary for its love and friendship song). I was geeking out a bit, I admit.

Review: Kaleidoscope Song by Fox Benwell

Kaleidoscope Song

Genre: YA contemporary

Publisher: Simon & Schuster

Publication date: September 19, 2017

kaleidoscope songSouth Africa is loud. Listen. Do you hear the song and dance of it? The chorus of Khayelitsha life? Every voice is different, its pitch and tone and intonation as distinct as the words we choose and how we wrap our mouths around them. But everybody has a voice, and everybody sings…

Fifteen year old Neo loves music, it punctuates her life and shapes the way she views the world. A life in radio is all she’s ever wanted.
When Umzi Radio broadcasts live in a nearby bar Neo can’t resist. She sneaks out to see them, and she falls in love, with music, and the night, but also with a girl: Tale has a voice like coffee poured into a bright steel mug, and she commands the stage.

It isn’t normal. Isn’t right. Neo knows that she’s supposed to go to school and get a real job and find a nice young boy to settle down with. It’s written everywhere – in childhood games, and playground questions, in the textbooks, in her parents’ faces. But Tale and music are underneath her skin, and try as she might, she can’t stop thinking about them.

Read More »

Review: History is All You Left Me by Adam Silvera

history-coverLast year, I was fortunate to win a Twitter giveaway from Adam Silvera for a signed paperback of More Happy Than Not and ARC of History is All You Left Me. It was very lovely and I immediately jumped at the chance to read History, one of my most anticipated releases of 2017. So since it’s going to be published tomorrow, January 17, I’m now going to post my (non-spoilery) review!

History alternates between “Today” and “History” sections, both narrated by Griffin. “Today” begins with the funeral of Griffin’s ex-boyfriend, Theo, who drowned. Against the odds, Griffin finds that he’s able to cope with his grief by becoming friends with Theo’s second boyfriend, and the two work through the situation together. Meanwhile, the “History” sections are Griffin telling how he and Griffin began dating, broke up, and after. Unlike other books I’ve read, I was very engaged in both storylines, especially once Jackson became more of a presence. I was never like, “Oh great, got to get through another ‘today’ section again.”

I’m not an expert in YA (especially since I almost exclusively read the darker contemporaries), but I think it’s fair to generalize that most YA–contemporary or not–features first love, or at least the beginning of a relationship. I’m also often disappointed by these (especially if they are subplots in a more plot-drive, SF/F book) because the dynamics and even descriptions of the characters are often very similar, not at all representative of teenage relationships (as someone who was in one). Like Griffin, I was also in a significant, long-term relationship in high school on which college and mental health had an impact, though that is about where the similarities end. Yet, I found myself relating very deeply with Griffin’s feelings throughout the history and prsent, and that aftermath of a relationship isn’t something I’ve been able to find much in YA. Some of the conversations were painful to read (in a good way!) because of the memories they brought back, and I really related to the situations of wanting things to work out a certain way, still talking to ask for forgiveness, and wanting Theo to be happy.

Another aspect is that Griffin struggles with OCD, based on Silvera’s own. OCD is a wide spectrum of obsessions and compulsions often unique to the individual (I personally have a mild form iinvolving checking and repetitve thoughts), so it was interesting to see the similarities between Griffin and Molly from Finding Perfect, which I read recently too. Unlike the latter, it is by no means the main focus of the novel, but it is a part of Griffin’s life. I really liked how Griffin came to view his mental illness and its impact on his life and conclude that therapy is not a bad thing. Most importantly, he came to realize that he isn’t just “quirky,” as Theo began to call him, and it’s healthy to become a better self rather than holding onto the one someone loved you for despite the fact it was ultimately unhealthy. In a world where mental illness is often romanticized, this is an important lesson, and at the very least it’s difficult to reconcile who you are despite your OCD and how that impacts your relationships, especially romantic ones.

Grief hangs over the whole novel, but for me, History is All You Left Me ultimately revolves around the messiness of being human. Griffin and others make some impulsive decisions that fracture relationships, at least for a little while, but it doesn’t become a lesson. Things aren’t necessarily right or wrong, sometimes tragedy strikes and there’s no one to blame. Welcome to adulthood!

Reviews: Still Life with Tornado and Finding Perfect

Well, it turns out getting a camera is more complicated than I thought, so my foray into videos has come to a standstill. So, I return to some traditional blogging to tell you about two October releases that I’d been looking forward to (and lived up to my expectations)! (Also, yes, this is quite late. I failed at working blogging into my schedule this semester, but now I have more ideas and creativity that things are looking better.)

Still Life with Tornado by A.S. King

still-life-with-tornadoOne of the reasons why I love A.S. King’s novels so much is that they feel a bit like stumbling across a file folder of collected information and piecing it all together. In Still Life with Tornado, we mostly follow the perspective of sixteen-year-old Sarah as she stops attending school and runs into versions of herself from the past and future. Slipped throughout this narrative are excerpts from a family vacation seven years previously–which led to a rift between Sarah’s brother and the rest of the family and which Sarah doesn’t quite remember–and diary-like narratives from Sarah’s mother about her relationship with her husband. The different story threads weave together to reveal the troubles in Sarah’s family as Sarah herself learns, bringing about an inevitable confrontation.

I don’t think Still Life with Tornado is one of my favorite of King’s novels, but it was a ride that kept me engaged and gave me plenty to think about. The cycle of abuse and its effects on everyone involved is explored in a heartbreakingly realistic way. Sarah may first come across as a little annoying, as she’s so disdainful toward anything that isn’t “original” and is worked up over something that she is so embarassed of being a small issue that she doesn’t tell us for a while, but this is only the surface level of her character. She’s from a troubled household with repressed memories and the career path she loves is in danger. She’s lost, and we come to understand her as she lets some of her guard down. This is important. Kids may seem “difficult,” but what are they burying inside? So King unabashadly takes on a seemingly frustrating character to reveal her true self that she has been hiding from even herself, and every page is worth it.

Finding Perfect by Elly Swartz

finding-perfectOne of my most anticipated middle grade books of the year, Finding Perfect follows a 12-year-old girl named Molly as her OCD worsens while she concocts a plan for her mother (who left for Canada after a separate) to come and visit her if she wins a poetry slam competition.

As evidenced by the acknowledgements, Swartz did a lot of research when writing this novel, and that shows. It’s very informative,  immersing the reader in Molly’s world of even numbers divisible by 4, right sides, and more. It’s important in this society where “I’m so OCD” is a thing kids (and adults!) say WAY too much that we see Molly organizing her glass figurines and using perfect pencils alongside the profound anxiety she feels concerning her brother’s health when that order is disrupted, as well as her other obsessions. I really do hope that realistic portrayals of OCD like this help kids understand what it REALLY is. Finding Perfect even touches on the treatment Molly recieves once diagnosed, though I do not recall the option/addition/aspect (because it’s rarely used alone) of medication being mentioned.

Another thing I really liked: Molly goes to the Internet for answers when she is worried about her compulsions, as all curious kids do in the 21st century.

But Finding Perfect isn’t just about OCD. Molly’s relationship with her best friend, Hannah, stumbles at times, as does her relationships with her father and her siblings. She has to confront her optimistic image of her mother, too. Family, friends, and personal identity–it all comes together here, as they do for so many adolescents as they figure out who they are and where they belong in the world. It’s lovely.

Anticipated Release: Enter Title Here by Rahul Kanakia

My schedule is a bit off, so yes, it isn’t Wednesday, but I can still talk about books releasing soon that I’m excited to read.

Today’s pick is a book that is coming out on Tuesday, August 2nd:

enter title hereI’m your protagonist—Reshma Kapoor—and if you have the free time to read this book, then you’re probably nothing like me.

Reshma is a college counselor’s dream. She’s the top-ranked senior at her ultra-competitive Silicon Valley high school, with a spotless academic record and a long roster of extracurriculars. But there are plenty of perfect students in the country, and if Reshma wants to get into Stanford, and into med school after that, she needs the hook to beat them all.

What’s a habitual over-achiever to do? Land herself a literary agent, of course. Which is exactly what Reshma does after agent Linda Montrose spots an article she wrote for Huffington Post. Linda wants to represent Reshma, and, with her new agent’s help scoring a book deal, Reshma knows she’ll finally have the key to Stanford.

But she’s convinced no one would want to read a novel about a study machine like her. To make herself a more relatable protagonist, she must start doing all the regular American girl stuff she normally ignores. For starters, she has to make a friend, then get a boyfriend. And she’s already planned the perfect ending: after struggling for three hundred pages with her own perfectionism, Reshma will learn that meaningful relationships can be more important than success—a character arc librarians and critics alike will enjoy.

Of course, even with a mastermind like Reshma in charge, things can’t always go as planned. And when the valedictorian spot begins to slip from her grasp, she’ll have to decide just how far she’ll go for that satisfying ending. (Note: It’s pretty far.)

I love this synopsis. I don’t want to have too many high expectations of where the story should go, but I do love satire and metafiction, which this definitely is. I can also relate to the feeling that one’s school-focused life (though I was much lest focused on college admissions than Reshma0) is “boring,” and the idea of a perfect storyline of how life should go.

What do you think? What other books are you looking forward to?

Rewiew: Bone Gap by Laura Ruby

Bone Gap by Laura Ruby

Publisher: Balzer + Bray

Publication Date: March 3, 2015

Genre: Young adult, contemporary + magical realism

Winner of the 2016 Printz Award for Young Adult Literature

bone gap.jpgEveryone knows Bone Gap is full of gaps—gaps to trip you up, gaps to slide through so you can disappear forever. So when young, beautiful Roza went missing, the people of Bone Gap weren’t surprised. After all, it wasn’t the first time that someone had slipped away and left Finn and Sean O’Sullivan on their own. Just a few years before, their mother had high-tailed it to Oregon for a brand new guy, a brand new life. That’s just how things go, the people said. Who are you going to blame?

Finn knows that’s not what happened with Roza. He knows she was kidnapped, ripped from the cornfields by a dangerous man whose face he cannot remember. But the searches turned up nothing, and no one believes him anymore. Not even Sean, who has more reason to find Roza than anyone, and every reason to blame Finn for letting her go.

As we follow the stories of Finn, Roza, and the people of Bone Gap—their melancholy pasts, their terrifying presents, their uncertain futures—acclaimed author Laura Ruby weaves a heartbreaking tale of love and loss, magic and mystery, regret and forgiveness—a story about how the face the world sees is never the sum of who we are.

Bone Gap is a bit of a difficult book to review, and I don’t feel like a pro/con review does it much justice. It’s something very different, quite literary, and its own little experience. I liked it, but I’d much prefer to discuss it in broadstrokes than a standard review.

Bone Gap is a small town (and a real one) and home to a mystery: the disappearence of Polish immigrant Roza, who we later learn out has come to reside with teenager Finn and his older brother Sean from seemingly fleeing an unsafe situation. The three have quite complicated feelings toward each other. Despite the missing persons case, however, I’m not sure I would really call Bone Gap a mystery. The third-person perspective shifts around from Finn to Roza to even some of the secondary characters, filling in their backstories. As such, the story is much more about who these characters and how they relate to each other.

What it’s really about? The narratives/expectations that surround people (which all small towns and/or other communities are bound to come up with) and horrible consequences of mysogyny, basically. Roza has dealt with many men taking advantage of her because they think they’re entitled to it, leading to some dangerous situations. Meanwhile, Petey (who Finn begins to date in the book) has her share, too, albeit of a different kind because unlike Roza, she isn’t conventionally pretty. There was also a scene where Finn focuses on Petey’s pleasure, containing an act that I haven’t seen depicted in YA (or most of the media) at all. Not that I’m an expert, but it was refreshing to see that.

I’ve seen “magical realism” used the most when describing Bone Gap, and it does play a subtle role. The characters struggle with real issues, but their world is lightly laced with magic. Whispering corn fields, a horse, which is female and likes to be ridden at night, so it’s a “Night Mare,” and more. It gets weird, but it’s rather beautiful, adding a hopefulness to the story. (And I love weird.)

Bone Gap is marketed as YA, and it won a major YA literary award, but I feel that it’s more of a crossover. Finn and Petey’s story deals with teenage feelings and themes, yes, but Roza and Sean are adults and a large part of the story is about them (especially Roza). I really enjoyed the multiple perspectives, especially when publishing seems to want to fit everything int categories (now we just need more push for books about kids aged 12-14, right??).

I highly recommend Bone Gap if you’re interested in magical realism, feminism, and literary fiction.